"GOAT" is like the lovechild of "Space Jam" and "Zootopia," but with a hip-hop twist and a dash of underdog charm. This animated sports fable introduces us to Will, a young goat dreaming of basketball stardom in the vibrant city of Vineland. The film's unique visual style sets it apart from the sea of generic CGI animations, embracing a dystopian yet inviting world where animals play roarball, a fierce version of basketball.Director Tyree Dillihay brings freshness to the genre with inventive set designs and lively characters that feel both familiar and refreshingly offbeat. The team dynamics and game sequences are exhilarating, showcasing the fast-paced energy of basketball while adding its own unique flair.Caleb McLaughlin shines as Will, infusing his character with heart and determination without falling into clichés of overnight success. Gabrielle Union's portrayal of Jett Fillmore adds depth to the story, balancing bravado with vulnerability in an engaging way.While "GOAT" may tread familiar narrative ground in its underdog tale, it injects enough creativity and sincerity to win over audiences. With its blend of humor, action-packed games, and heartfelt moments, this film offers a fun ride for both kids and adults alike. So grab your popcorn (or should I say goat cheese) and get ready for an animated adventure that's as entertaining as it is unexpected!

Emerald Fennell’s take on Emily Brontë's classic “Wuthering Heights” is like a melodramatic soap opera set in the Yorkshire moors, where bodices are ripped, and characters dive headfirst into a sea of silliness. Margot Robbie’s Cathy indulges in some self-pleasuring escapades, while Jacob Elordi’s Heathcliff broods moodily, transforming from a rugged outsider to something straight out of a Jane Austen novel. The film takes liberties with the source material, glossing over key themes like race and colonialism to deliver a glossy, superficial romance narrative that feels more at home in a rom-com than in the dark and tumultuous world of Brontë's creation.Fennell’s “Wuthering Heights,” or rather "Wuthering Heights," as it stylizes itself with ironic detachment, attempts to inject modern flair into this timeless tale but ends up feeling like an over-the-top costume drama on steroids. With flashy visuals and cheeky nods to BDSM tropes, the film strays far from Brontë's raw emotional intensity and instead opts for a campy spectacle that falls short of capturing the essence of the original novel. Despite its attempts to be edgy and provocative, it ultimately comes across as contrived and lacking in genuine emotional depth.Overall, “Wuthering Heights” under Fennell’s direction is an extravagant yet hollow interpretation that sacrifices substance for style. While it may offer moments of amusement and visual flair, it fails to resonate on a deeper level or do justice to the profound themes inherent in Brontë's work. In attempting to modernize this literary classic through exaggerated theatrics and sensationalized romance, Fennell's version ultimately misses the mark – making for an entertaining but ultimately forgettable cinematic experience.Verdict: A melodramatic romp across the moors that swaps Gothic intensity for campy excess – "Wuthering Heights" under Emerald Fennell is more style than substance; watch for laughs rather than literary fidelity.

In "Crime 101," director Bart Layton takes us on a thrilling joyride through the seedy underbelly of LA with a star-studded cast including Chris Hemsworth, Mark Ruffalo, Halle Berry, and Barry Keoghan. This film is not your typical heist thriller; it's a character study cleverly woven into an intricate web of crime and corruption. Hemsworth shines as the meticulous jewel thief with a conscience, while Ruffalo delivers as the last honest cop in a city where corruption runs rampant. Berry's portrayal of Sharon, trapped in a cutthroat world of high-end insurance sales, adds depth to the narrative. Keoghan brings menace to his role as Ormon, ensuring that tension never wanes."Crime 101" masterfully blurs the lines between right and wrong, showcasing how individuals navigate morality in a world driven by greed and power. The film's moody atmosphere reminiscent of Michael Mann keeps viewers engaged as Layton skillfully unravels each character's motivations and desires. With stunning visuals capturing LA’s gritty charm and heart-pounding sequences that keep you on edge, this film is a must-watch for those craving something beyond your standard crime thriller fare.Overall, "Crime 101" is like taking an advanced course in underworld dreams; it entertains while raising thought-provoking questions about personal integrity and societal norms. So buckle up for this wild ride through LA’s criminal landscape - just remember to fasten your seatbelt before hitting play!

"Good Luck, Have Fun, Don’t Die" is Gore Verbinski’s bold return to the director's chair, blending elements of sci-fi and comedy in a way that only he can. Sam Rockwell shines as a time-traveling eccentric on a mission to prevent an AI uprising, leading a ragtag group of volunteers in a race against time. The film's wild imagination and irreverent humor make for an entertaining experience, despite some excesses and tangents along the way. With nods to video game culture and timely critiques of technology dependence, Verbinski delivers an offbeat adventure that is both chaotic and oddly charming. Rockwell's manic energy drives the film forward while the supporting cast adds depth to their quirky characters. While not without its flaws, "Good Luck, Have Fun, Don't Die" is a refreshing departure from typical sci-fi fare—an ambitious romp through time that hits more than it misses.Verdict: A zany blend of Terminator vibes and Black Mirror commentary wrapped up in Verbinski's signature style—'Good Luck, Have Fun' indeed!