"Flight Risk" is a film that promises much but delivers little, much like a delayed flight with no in-flight entertainment. Mel Gibson's attempt at a suspenseful thriller falls flat, lacking both style and substance. The film's cliched characters and uninspired plot twists make for a bumpy ride that even Mark Wahlberg's energetic performance can't save. Michelle Dockery tries her best as the tough U.S. Marshal caught in a high-altitude crisis, but the lackluster script leaves her character feeling underdeveloped and unconvincing. With its poorly executed action sequences and predictable narrative beats, "Flight Risk" ends up being more of a turbulence-filled snooze fest than an edge-of-your-seat adventure. If you're looking for thrills at 30,000 feet, you'd be better off watching your fellow passengers fight over the last bag of peanuts than sitting through this forgettable film.

Steven Soderbergh's "Presence" attempts to present a fresh take on the haunted house genre by showcasing the events solely from the point of view of a ghost, played through the lens of a handheld camera. While this unique concept initially intrigues, ultimately the film falls short due to its adherence to conventional storytelling and uninspired plot twists. The narrative follows a suburban family moving into their new home, where underlying tensions and secrets begin to unravel with the help of an unseen presence. As eerie occurrences escalate, it becomes clear that "Presence" struggles to rise above clichés often seen in supernatural films, failing to fully capitalize on its innovative premise.The film benefits from Soderbergh's skillful direction and disciplined approach in capturing intimate moments within the confines of a single location. However, it falters with overt attempts at manufactured scares and familiar tropes that undermine its potential for deeper exploration of familial dynamics and personal struggles. Despite commendable performances from the cast, including Lucy Liu and Chris Sullivan as the parents grappling with their own demons while trying to navigate their children's troubled paths, "Presence" ultimately feels like a missed opportunity.While comparisons may be drawn to other films like Oz Perkins’s "I Am The Pretty Thing That Lives in The House" or Alejandro Amenábar’s "The Others," Soderbergh's latest effort lacks the emotional depth and originality necessary to make it truly standout in this crowded genre landscape. Although there are moments of tension and intrigue scattered throughout, they are overshadowed by formulaic plot developments that diminish the impact of its central conceit.In conclusion, Steven Soderbergh's "Presence" offers an intriguing premise marred by predictable storytelling choices and an inability to fully realize its potential as a thought-provoking ghost story. While it showcases moments of artistic flair and directorial finesse typical for Soderbergh's work, overall it falls short in delivering a truly memorable cinematic experience. Perhaps best suited as casual viewing for those seeking light thrills without delving too deep into uncharted territory within supernatural storytelling realms.

"Sunray: Fallen Soldier" is like a man-spreading on the tube - boorish, blokey, and trying a bit too hard. Starring ex-Marine Tip Cullen as a Jeff Bridges lookalike seeking revenge for his daughter's death, this violent British thriller struggles with its low budget visuals and questionable wardrobe choices. With gunfights fueled by staple guns and hammers, the film tries to add depth through PTSD-ridden Marine buddies on one last mission. However, the over-the-top action and narrative cheats make it hard to take seriously, especially in its attempt at American-style military drama set in the UK. Overall, this movie aims high but falls short - much like a man-spreading commuter on public transport.

"Marked Men: Rule + Shaw" is like a lava lamp - colorful, shiny, and lacking substance. The film fails to deliver on the promise of steamy romance and instead presents shallow characters and contrived conflicts. Despite an attractive cast, including Chase Stokes and Sydney Taylor, the lack of chemistry between leads leaves viewers wanting more. Director Nick Cassavetes skittishly avoids steamy scenes, opting for montages of partying and cool aesthetics over genuine emotional engagement. With more focus on quirky outfits than intimate moments, this film falls short of capturing the essence of Jay Crownover's novels. While fans may find solace in memories of the books, others are likely to be left bewildered by this skin-deep adaptation shot in Sofia, Bulgaria under the guise of snowy Denver landscapes. "Marked Men: Rule + Shaw" is a forgettable diversion that fails to leave a lasting mark in the realm of romantic dramas.