"I Know What You Did Last Summer" is like a retread through familiar slasher territory, complete with a killer in a fisherman's cap wielding a menacing fishhook. While the film delivers its share of crude scares and competent thrills, it falls short of the clever subversion seen in "Scream." With its predictable plot and generic scares, the movie relies on the charm of its young cast, particularly Jennifer Love Hewitt, to keep audiences engaged. So if you're in the mood for some standard slasher fare with a touch of '90s nostalgia, grab your popcorn and watch as this movie takes you on a mediocre trip down memory lane.

Ari Aster’s latest film, "Eddington," is a chaotic blend of modern-day Western, political satire, and conspiracy thriller that leaves viewers feeling like they've been taken on a wild ride through a small New Mexico town during the tumultuous times of 2020. With a cast featuring Joaquin Phoenix, Emma Stone, and Pedro Pascal, you might expect fireworks on screen. However, despite the film's visually appealing cinematography and some sharp satirical moments poking fun at contemporary issues like Covid lockdowns and social polarisation, "Eddington" ultimately falls flat. The heavy-handed storytelling and lack of new or vital insights into its themes make this film feel like an overly long slog that even talented actors struggle to elevate. While there are moments of dark humor and biting satire scattered throughout the narrative, Ari Aster fails to deliver a cohesive or compelling storyline that truly resonates with audiences. In the end, "Eddington" ends up being more style than substance—a missed opportunity for Aster to recapture his directorial magic. So grab your popcorn (and maybe a mask) for this rollercoaster of a movie that aims high but ultimately lands far from its intended mark.

"Cloud" is like a twisted virtual rollercoaster ride where the mundane meets malevolence in a haze of internet-age drama. Kiyoshi Kurosawa's enigmatic update takes us on a wild journey with Yoshii (played brilliantly by Masaki Suda), who straddles between real life and his shady online reselling world. As Yoshii navigates through greed, ego, and escalating dangers, the film spirals into an abstract vengeance actioner that feels like Beckett on steroids. The tension builds as aggrieved associates unite against him, culminating in a darkly funny multiplayer shootout that wouldn't be out of place in a video game. With classy cinematography adding depth to even the most banal settings, "Cloud" cleverly explores the ruthless new economics of online life while keeping its characters delightfully murky in their motivations. In this digital age where each click could be akin to cocking a loaded gun, "Cloud" offers a thought-provoking and entertaining look at modern-day paranoia and consequence.