"Inside Out 2" dives back into Riley's ever-evolving psyche as she navigates the tumultuous waters of teenagehood. The sequel, directed by Kelsey Mann, cleverly builds upon the emotional foundation laid out in the first film, bringing back our beloved anthropomorphized emotions led by an outstanding voice cast including Amy Poehler as Joy and Phyllis Smith as Sadness. As Riley faces puberty and new challenges, a host of new emotions come into play, adding chaos to her mental landscape. The film expertly balances humor with poignant moments, exploring themes of belonging, individuality, and the rollercoaster ride that is adolescence. While not quite reaching the inventive heights of its predecessor, "Inside Out 2" retains its emotional core and delivers a relatable and visually stunning journey through the inner workings of a teenage mind. With sharp jokes and heartfelt moments intertwined, this sequel offers a delightful blend of nostalgia for those who have weathered their own teenage years and valuable lessons for those currently going through them. Overall, "Inside Out 2" manages to capture the complexities of growing up with wit and heart while reminding us all that embracing our true selves is key to navigating life's twists and turns. Pixar once again proves their mastery at crafting emotionally resonant stories that entertain both young audiences and adults alike. So buckle up for a wild ride through adolescence with Riley & Co., where laughter mixes with tears in this imaginative exploration of what it means to grow up - even if it involves battling your inner Ennui along the way!

"Ultraman: Rising" is a charming and action-packed reboot of the iconic franchise, introducing viewers to a whole new world of heroes and monsters. The film cleverly blends elements of superhero battles with touching family dynamics, as Ultraman navigates his dual roles as a monster-fighter and a single dad to the pint-sized kaiju dragon, Emi. While some may find the baby kaiju storyline a bit cliché in the realm of cute character tropes, it adds an endearing layer to Ultraman's character development. With stunning CG animation and thrilling city fights reminiscent of classic kaiju films, "Ultraman: Rising" captures the essence of its half-century-old franchise while infusing it with fresh twists. The film explores themes of responsibility, fatherhood, and legacy in a way that is both heartwarming and entertaining for audiences of all ages. Though at times overloaded with mythology-bending subplots and conflicting character arcs, "Ultraman: Rising" ultimately delivers on its promise of giant monster showdowns intertwined with emotional depth. In this revival that combines humorous elements like Ken juggling baseball careers with epic battles above Tokyo Dome alongside impactful themes about family bonds and sacrifice - Ultraman proves once again why he remains an enduring superhero figure ready to face any challenge thrown his way. Whether you're new to the world of Ultraman or a longtime fan craving more monster mayhem, this film offers something for everyone as it breathes new life into an IP that continues to stand tall against time - quite literally when fighting those towering kaiju foes.

"Despicable Me 4" feels less like a feature film and more like a jumbled collection of Looney Tunes-y shorts stacked on top of each other. With an overstuffed plot that introduces new characters, old villains seeking revenge, and mutant Minions with enhanced abilities, the film lacks the emotional depth that made the original so endearing. Despite the chaotic narrative, there are plenty of laughs to be had, especially from the gibberish-spouting Minions who continue to steal the show. While the movie may entertain with its humor and energetic soundtrack, it struggles to justify its existence beyond pure financial gain. With too much going on and not enough character development for Gru and his family, "Despicable Me 4" ends up feeling like an unnecessary addition to a franchise that has lost some of its charm over time. But hey, at least there's still plenty of laughter to go around – even if we're all a bit tired of those pesky Minions by now.

"Thelma" is a heartwarming and hilarious film that takes the action genre to new heights by centering on a 93-year-old grandmother as the unlikely hero. June Squibb shines in her first leading role, bringing to life a character who embarks on a Mission: Impossible-inspired quest to retrieve $10,000 scammed from her. Directed by Josh Margolin, the film strikes a perfect balance between humor and empathy in portraying the realities of aging. With genuine observations of life's sunset years and delightful action sequences like mobility scooter chases, "Thelma" is not just an entertaining romp but also a touching reminder that age is just a number. This charming comedy delivers laughs and tears in equal measure while showcasing the vitality and resilience found in unexpected places. So grab your popcorn and buckle up for an adventure that proves you're never too old for some action-packed fun!

"I Used to Be Funny" tries to blend comedy with trauma in a thriller format, but unfortunately falls flat like a bad stand-up routine. Rachel Sennott shines in the lead role as Sam, grappling with a traumatic event while trying to piece her life back together. The film's disjointed storytelling and awkward attempts at suspense make for an uncomfortable viewing experience. While there are hints of potential in exploring themes like recovery and relationships, the movie fails to deliver on its promising ideas. Sennott's comedic talent is evident, but the film struggles to find a cohesive tone, leaving viewers feeling disconnected from the characters and their struggles. The directorial style mimics superior works like "The Tale" and "I May Destroy You," but lacks their depth and emotional impact. Ultimately, "I Used to Be Funny" misses the mark with its muddled narrative and failed attempts at blending comedy with darker themes. While Sennott delivers a strong performance amidst the chaos of the film's narrative missteps, she is let down by a lackluster script that fails to capitalize on her talents. The movie touches on important issues such as trauma and recovery but ultimately falls short of making a meaningful impact. As Sam navigates her journey towards healing through comedy, the audience is left wanting more coherence and substance from this ambitious yet flawed debut feature. "I Used to Be Funny" may have some comedic moments, but it ultimately fails to land its punches when it comes to telling a compelling story about trauma and recovery. With disjointed timelines and flat attempts at building suspense, this film misses the mark despite Rachel Sennott's standout performance. While there are glimpses of potential in exploring complex themes, such as grief and sexual assault intertwined with humor, they are overshadowed by the movie's inability to strike a balance between comedy and drama effectively. In conclusion: Much like an awkward stand-up act that never quite finds its rhythm or punchline,"I Used To Be Funny" stumbles through its attempt at blending comedy with trauma in this ambitious yet ultimately unsatisfying debut feature.