Bong Joon-ho’s latest offering, "Mickey 17," is a wild and dystopian sci-fi fantasy that takes viewers on a satirical ride through a future where expendable workers are repeatedly killed and reborn to serve the whims of tech bros seeking new planets. Robert Pattinson shines as Mickey Barnes, the hapless expendable caught in a cycle of eternal death and resurrection. With Mark Ruffalo's larger-than-life portrayal of Kenneth Marshall leading the charge towards establishing a genetically "pure" colony on an ice planet, the film delves into themes of capitalism, class struggle, and environmental destruction with Bong's trademark zaniness.The film's blend of horror, humor, and social commentary is classic Bong Joon-ho, reminiscent of his previous works like Snowpiercer and Okja. As Mickey 17 navigates love interests and encounters his psychopathic doppelganger Mickey 18 while battling creepy alien creatures known as creepers, the narrative unfolds with twists that keep audiences engaged throughout its lengthy runtime.Pattinson's dual performance as both Mickey iterations adds depth to the film's exploration of identity and labor exploitation in a futuristic setting. The supporting cast including Naomi Ackie as Nasha Barridge enhances the story with their quirky interactions amidst the chaos onboard the spaceship controlled by Marshall’s authoritarian rule.While "Mickey 17" may feel like a compilation of Bong’s greatest hits at times, it stands out as one of his most refined critiques on societal issues such as capitalist greed and scientific progress at any cost. The film balances its dark themes with moments of levity that offer a sense of hope in the face of authoritarianism.In conclusion,"Mickey 17" is an ambitious yet somewhat uneven journey into Bong Joon-ho’s unique cinematic universe where clones coexist with monstrous aliens in a darkly comedic examination of power dynamics and human resilience. It may not reach the same heights as Parasite but delivers an entertaining blend of satire and spectacle that will leave audiences pondering its underlying messages long after leaving theaters.Verdict: With Robert Pattinson leading an eccentric cast through Bong Joon-ho’s twisted vision of society’s future follies,Mickey 17 offers an offbeat yet compelling explorationof class struggle,capitalist excess,and eternal life.Grab your popcorn,and buckle up for this wild ride!

"There’s Still Tomorrow" is a captivating blend of magic-neorealism, dark comedy, and poignant drama set in postwar Rome. Paola Cortellesi's directorial debut pays homage to Italian cinema legends like De Sica and Fellini while infusing the narrative with contemporary relevance. The film follows Delia, brilliantly portrayed by Cortellesi herself, as she navigates an abusive marriage with theatrical flair and quiet defiance. Surrounded by a richly depicted ensemble cast, including a standout performance by Romana Maggiora Vergano as her conflicted daughter Marcella, the film masterfully weaves together themes of misogyny, resilience, and liberation. Through choreographed musical numbers and moments of light magical realism, Cortellesi keeps audiences on the edge of their seats until the resounding final chord that underscores the power of solidarity among women. "There’s Still Tomorrow" is storytelling with terrific confidence and panache that delivers both laughs and tears in equal measure – a cinematic journey worth experiencing.

"Seven Veils" is a cerebral and eerie exploration of repressed desires and primal fears within the backdrop of Canadian modern life. Atom Egoyan's film delves deep into the complexities of human psyche and culture, drawing parallels between the opera Salome and protagonist Jeanine's traumatic past. Amanda Seyfried shines as Jeanine, a complex character haunted by her past and driven by a need to reclaim her narrative.The film weaves together themes of gender, power dynamics, artistic representation, and the #MeToo movement in a metatextual narrative that occasionally veers towards obviousness but ultimately remains an intriguing study in introspection. While lacking the playful dialogue of similar films like Tár Todd Field’s work, "Seven Veils" excels in its academic approach to storytelling, offering texture and depth to its thematic explorations. A hauntingly beautiful yet intellectually stimulating journey into the darker recesses of human experience.

"We're All Gonna Die" takes viewers on a sci-fi road trip filled with grief, quirky humor, and missed opportunities. The film introduces an intriguing concept of a giant alien spike causing chaos on Earth, but struggles to maintain focus on this premise. Lead performances by Ashly Burch and Jordan Rodrigues bring moments of emotional depth, although the dialogue tends to become repetitive and lacks resonance. The film's attempts at comedy fall flat at times, with jokes feeling interchangeable between characters. While the visual aesthetics and the actors' efforts add a touch of humanity to the story, the overall narrative fails to fully explore the impact of loss on both individuals and society as a whole. Despite its ambition, "We're All Gonna Die" ultimately falls short of creating a lasting impression, leaving audiences with glimpses of potential rather than a cohesive cinematic experience.